[…] See them at the top play much of the material from Remain in Light, as well as from previous album Fear of Music (released 40 years ago today), where the experiments with African rhythms began, at the Capitol Theatre in New Jersey in 1980, with an expanded lineup including King Crimson’s Adrian Belew. The experimental guitarist is in incredible form throughout the show, as is the entire band. Byrne was clearly enamored with Kuti’s original musical vocabulary. “The whole concept was different,” he tells Babcock, “the grooves were so great. The grooves are intense, trance-inducing,” and themselves the product of generous borrowing. Fela drew from the music of James Brown, John Coltrane, and Miles Davis, from the Black Power movement, fusion, and psychedelic rock.
Talking Heads brought those transformed borrowings back to the U.S. and transformed them again into the kind of music only these musicians could make, born of deep appreciation and study, skill, and the willingness to freely expand their own idiom while still retaining their distinctive voices.